Sue Spaid

Sue Spaid

  • Sue Spaid CV
  • Contact
    • Ecovention website
      • About
  • Curatorial Work
    • Abington Art Center and Sculpture Park, Jenkintown, PA (2007-2009)
      • Hovering Above (2008)
      • Global Suburbia: Meditations on the World of the 'Burbs (2008)
        • Global Suburbia Brochure
        • Global Suburbia Installation Shots
      • Endurance: Daring Feats of Risk, Survival and Perseverance (2009)
      • Endurance: Visualizing Time (2009)
      • Abington Art Center Revisited (2017)
    • ADN Platform, Barcelona, ES (2019-2020)
      • "Fingers Crossed" images
      • Fingers Crossed Reviews
        • "Fingers Crossed" Online Reviews
        • English Translation "art per un futur verd"
        • "Fingers Crossed" review ABC Cultural 12/28/19
        • English Translation "Contro todo Prognóstico"
    • Contemporary Arts Center, OH (1999-2002 & 2012)
      • Antoni Tàpies (2000)
      • An Active Life (2000)
        • An Active Life brochure
        • An Active Life Installation Shots
      • Sprawl (2002)
      • Ecovention: Current Art to Transform Ecologies (2002)
      • Green Acres: Artists Farming Fields, Greenhouses and Abandoned Lots (2012-2013)
        • Contemporary Arts Center, Cincinnati, OH
        • Arlington Arts Center, Arlington, VA and American University Museum, Washington, DC
    • Contemporary Museum, Baltimore, MD (2010-2012)
      • New View window series
      • Baltimore Liste
        • 2011
        • 2012
      • LOL: A Decade of Antic Art (2011)
        • LOL Brochure
        • LOL Installation Shots
    • De Domijnen Hedendaagse Kunst (2016-2018)
      • Ecovention Europe intro panels
        • English Intro Panel
        • Dutch Intro Panel
      • Ecovention Europe demonstrations
      • Ecovention Europe exhibition images
        • Activism
        • Valuing Anew
        • Biodiversity
        • Restoration/Reclamation
        • Urban Infrastructure/Environmental Justice
        • Climate Change
        • Oikos
        • Food Security
      • Ecovention Europe online press
      • Ecovention Europe Print Press
        • Anne Berk review
        • HArt Review
        • Butterfly Heritage Orchard
    • Internationales Waldkunst Zentrum (2018)
      • KunstÖkologies (2018)
      • KunstÖkologies catalog essay
      • Ecovention Europe (Portable Version) (2018)
    • In Situ Exhibitions
      • Working Out the Kinks, Kunstlerhaus Bethanien, Berlin (1997)
      • Comestible Compost, Pavilions, Los Angeles (1998)
      • Cremolata Flotage, Andrew J. Barbieri Ferry (1999)
      • Poolside, Traymore Hotel, Miami (2006)
      • Migrations Platform (2007)
      • Migrations Platform Text
    • Nan Rae Gallery Woodbury
      • What's More Real than Flesh?
      • What's More Real Than Flesh catalogue
    • Santa Monica Museum of Art, CA (1995)
      • Action Station: Exploring Open Systems (1995)
        • Action Station essay
        • Action Station Installation Shots
    • Sue Spaid Fine Art, Los Angeles, CA (1990-1995)
      • Reunited and it Feels so Good
      • Chateau Marmont Art Fair (1994)
      • Solo Exhibitions
    • Windowbox, Mechelen, BE (since 2018)
      • De Wind Deed Het (2018)
      • Climate Surprise (Jan-May 2019)
        • Vernissage (Jan)
        • Heating Up (10 Feb)
        • Sun Rays (Mar)
        • Longest Day (May)
      • Climate Surprise Brochures
        • Phase Four: Longest Day
        • Phase One: Climate Suprise
        • Phase Three: Sunrays
  • Exhibition Highlights
  • Online Lectures/Interviews
  • Published Texts
    • Dak'Art '96 (1997, Art in America)
    • ASA Presentations
      • Taking a Re-Peek at the Ecovention Movement, 'No Place Like Her,' FCC Panel, ASA 2020
      • Aesthetics of Care
    • Aesthetics
      • The World Worth Making: Implementing Care Aesthetics to Boost Wellbeing (Enrahonar 2022)
      • Enacting Gifts: Performances on Par with Art Experiences (Aesthetic Investigations 2021)
      • Value Disgust: Appreciating Stench’s Role in Attention, Deception and Retention (Rivista di Estetica) 2021)
      • Review of Bence Nanay's Aesthetics as Philosophy of Perception (2020, Aesthetic Investigations)
      • Emotion and Empirical Aesthetics (2020, Aesthetic Investigations)
      • Viewing Rooms (July 2020, AICA US Magazine)
      • Surfing the Public Square (2019, Open Philosophy)
      • To Be Performed: Recognizing Performances of Visual Art as Goodmanean “Instances” (2019, ESA)
      • What's So Authentic About Restoration (2019, Aesthetic Investigations)
      • Popular Culture and Wellbeing (2019, Journal of Somaesthetics)
      • Collaboration in 21st Century book review (2019, JAAC)
      • Danto's Nine Contents (2018, Arte y Filosofía ebook)
      • Extra Perceptual Contents (2018, ESA)
      • Bellissima (2018, Popular Inquiry)
      • Cognitive Penetrability of Perception book review (2018, JAAC)
      • Danto´s artworld: Where nine indiscernible red squares yield nine distinct contents (2016)
      • Revisiting Ventzislavov's Thesis (2016, JAAC)
      • Aesthetics is the Philosophy of our Wordless World (2015, AI)
      • Being Here (2014, Living Philosophers: Arthur Danto)
      • Isness (2006, Pacific APA & X-TRA)
      • A Political Life: Arendtian Aesthetics and Open Systems (2003, Ethics & the Environment)
      • Beauty as Duty (1999, More or Less)
      • Cyberspace Race (1999, Art Papers)
    • artUS Articles
      • Nancy Holt Wallach Art Gallery Columbia University
      • Roxanne Pérez-Méndez PAFA
      • Liza Ryan William Griffin Gallery
      • Cecilia Paredes North American Cultural Center of Lima
      • Jennifer Levonian Fleisher/Ollman Gallery
      • Age of Empire: Theory in the Aughties
      • Jonathan Horowitz MoMA/PS1
      • Diane Burko
      • U-Turn Copenhagen
      • Laurel Nakadate
      • Global Warming
      • Martin Margiela MoMu
      • Manifesta 7
      • Carnegie International 2008
      • Mark Harris
      • Jorge Pardo
      • The Land Foundation
      • Summer of Love
      • Richard Shusterman
      • Situationist International
      • Victor Grippo
      • The Experiential Paradigm
    • Catalog Essays
      • Avelino Sala (2021 Naturalezas Muertas)
      • Felix Kindermann 2020
      • Ulrika Sparre (2020, Index Stockholm)
      • Antoni Tàpies (2020, Almine Rech Brussels)
      • Antoni Tàpies (2019, Almine Rech Magazine)
      • 431 Art (2019, Urban Plants)
      • Coleen Sterrit (2018, Museum of Art and History, Lancaster CA)
      • Casey Cook (2014, Light Art + Design)
      • Caroline Lathan Stiefel (2014, Philadelphia Art Alliance)
      • Jacci Den Hartog (2012, Rosamund Felsen Gallery)
      • Following a Line (2012, Girls' Club Ft. Lauderdale)
      • Does the Top Need the Bottom? (States of Transition, 2011)
      • Presence (2006, Speed Museum)
      • Los Angeles Avant-Garde (1998, UKS Forum, Oslo)
      • Strappy Sandals and Skinny Belts (1995, VIctoria Room and 1996, Pacific Design Center Museum)
    • Dance Theory
      • Rudy Perez "Accumulation of Language" (1992)
    • Duchamp Scholarship
      • Philosophy of Curatorial Practice: Between Work and World, 2020
      • Dancing Around the Bride PMA 2012:Barbican 2013, Hart 2013
      • Dahlia Judovitz Duchamp Delayed, artUS 2012
      • Visual Inquiry into Perception (2011) (essay)
      • Visual Inquiry into Perception (2011) (pdf of ppt)
      • Marcel Duchamp, Etant Donées PMA 2009, artUS 2010
      • Out of this World, the book, Neiman Marcus 1907-2007
    • Environmental Aesthetics and Eco-Art
      • Bocage (2021 France GNAP Residency)
      • Learning to Protect life: Tracing the Lineage from Conquistadors to Extinction & BLM (2021, Breathe)
      • Bees, Art and Biodiversity (2020, The Learned Pig)
      • Tying Hydrological Justice to Climate Justice (2020, Rivista di Estetica)
      • "Farming Awareness" (2012/2020,The Learned Pig)
      • "The Aesthetic Enchantment Approach" (2020, Journal of Somaesthetics)
      • "Artisanal Soil," (2018, From Field to Palette)
      • Ecoventions as Participatory Art (2018, Art Inquiry)
      • Green Design vs. Ecoart (2018, Advancements in the Philosophy of Design)
      • Sustainable Art (2016, Wroczław University)
      • Kinship Model (2016, Philosophica)
      • The 0 km Movement: Everyday Eaters Enjoying Edible Environments (2016, Journal of Somasthetics)
      • Biodiversity: As a Bio-indicator (2015, Rivista di Estetica)
      • Essay from An Edge Effect (2014)
      • Green Up! (2009, ETC)
      • Smithson Asphalt Rundown (2007, Domus)
      • Ecoventions qua an Arendtian Account of Freedom, Action and Miracles (2003)
      • A Political Life: Arendtian Aesthetics and Open Systems (2003, Ethics & Environment)
      • Land Art, etc. (2002, Ecovention)
      • Survival Strategies (2001, New Art Examiner)
    • H Art Reviews
      • Felix Kindermann at Kunsthal Gent
      • Lee Krasner (English translation of HArt article)
      • Lee Krasner (Flemish)
      • Review Katinka Bok, Galerie Greta Meert
      • Generation Brussels: Interview with Evelyn Simons
      • The Joys and Perils of Tasting Exhibitions (Tinguely Museum)
      • Tinka Pittoors/Galerie La Forest Divonne
      • Zhang Enli/Xavier Hufkens
      • Harald Szeemann/ ICA and GRI
      • Hito Steyerl/Martha Rosler Kunstmuseum Basel
      • Revolution in Making HWS
      • Steiner/Lenzlinger MSK
      • Agnes Varda Mus Ixelles
      • Greater New York MoMAPS1
      • A.N.T.H.R.O.P.O.C.E.N.E.
      • Jim Shaw New Museum
      • Walid Raad MoMA
      • Dismaland Bristol UK
      • Jesper Just
      • Le Corbusier
      • Agnes Martin
      • Carsten Holler
      • Bjork
      • Robert Overby
      • Olafur Eliasson Vuitton Fdn
      • Turner Prize Tate Britain
      • Robert Gober MoMA
      • Francois Morellet SMAK
      • Allegory of the Cave Painting Extra City
      • Photo Practices in the Studio MoMA
      • Robert Heinecken MoMA/Wiels
      • Bill Viola Grand Palais
      • Italian Futurism Guggenheim
      • Whitney Biennial 2014
      • Franz Erhard Walther at Wiels
      • Parreno Huyghe in Paris
      • Chris Burden New Museum
      • M.K. Čiurlionus MSK Ghent
      • Rachel Harrison SMAK
      • When Attitudes Became Form Prada Fdn
      • Claes Oldenburg MoMA
      • Expo 1 MoMA PS1
  • iPad Memories
    • Space Electronic (Gruppo 9999) (1972/2017)
    • 2014 Surprises
      • Winter
    • 2013 Surprises
      • Korea
      • Winter
      • Spring
      • Summer
      • Fall
    • Best of Cincinnati
  • Bibliography
  • Links
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John Bohl, "Wallpaper, 2011
John Bohl, "Floor Arrangement (arc)," 2011
John Bohl, "Wild Wayz," 2010
Although John employs multiple techniques (screenprinting, painting, photography, computer rendering and sculpture), works presented here explore the multi-dimensional possibilities of rather minimally-rendered, two-dimensional objects.
The sprawling "Floor Arrangement (arc)" doubles as referents and possibilities for the abstract shapes rendered on the wallpaper.

Copyright 2017 Sue Spaid

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